When it comes to legendary small venues with massive soul, Bottom of the Hill in San Francisco holds a special place in my heart — and on my resume. As a tour manager and show organizer, I’ve had the pleasure of booking and coordinating several performances at this iconic spot, and every night there feels like stepping into the heart of the indie music world.

Tucked away in the Potrero Hill neighborhood, Bottom of the Hill is more than just a venue — it’s a launchpad. This is where raw talent meets a dedicated, music-savvy crowd. Over the years, it’s seen early performances from Green Day, The Strokes, Alanis Morissette, and so many others before they became household names. That’s the magic of this place: it listens before the world does.

For me, working with this venue means tight coordination with local crews, sound engineers, and artist managers. The space is intimate but highly professional. The staff is passionate and easy to work with — they understand the nuances of live music, and that makes my job smoother every time. Whether I’m routing an up-and-coming act through the West Coast or bringing in a European band on their first U.S. leg, Bottom of the Hill is a venue I recommend without hesitation.

It’s also a fantastic hang — part club, part dive bar, part music sanctuary. The energy is authentic, the drinks are strong, and the sound system punches way above its weight.

If you’re looking for someone who knows how to make a night work both on and off stage — from gear load-in to setlists to audience experience — I’ve got years of experience making shows happen in venues exactly like this one.